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Originally conceived as an extremely limited noise tape collaboration with his cousin Ernesto Mercado between rehearsals with their band Anonymous Inc., the project slowly mutated into something much larger : an accidental blueprint for the genre-defying path that would later define Ceschi's work, the formation of Fake Four Inc., and a decades-long career moving between punk basements, Project Blowed cyphers, folk confessionals, and stages around the world. Initially released in 2004 through Beyond Space Entertainment, the songs on Fake Flowers grew an underground following in the earliest 2000s by being traded on tapes, burned CDs, AIM instant messenger, and message boards. Influenced as much by the abstract lyricism and left-field production of the Project Blowed and Anticon worlds as by the tape-saturated psychedelia of the Elephant 6 Recording Company collective, Fake Flowers drifts through quick-tongued poetry, lo-fi hip hop, damaged indie pop, and found sound experiments with little concern for genre boundaries. The recordings are raw, imperfect, occasionally immature, deeply vulnerable, and entirely unfiltered. It's a surreal album about lost childhood and growing up made by an artist in his late teens and early 20s discovering his solo voice in real time. 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Joe is a character going through some of what I experienced, and some of his own problems.\"Early this year, the group returned to the studio with producer Steve Fisk to update accordingly -tweaking lyrics and recording new tunes in the \"Denial-style,\" including the optimistic and anthemic \"Joe Drives Again.\" The result retains Teens's dark edge and youthful cynicism, but promises a bit of light at the end of the tunnel. Toledo writes, \"I'm so grateful that this is a work that people have kept coming to, and I hope that this presentation does them honor with a fresh offering to the conversation. 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Since then, they’ve built a steadily rising reputation for bone-rattling, mosh-ready live shows. The quintet’s second album, \u003ci\u003eNobody’s Coming To Save You\u003c\/i\u003e, could easily be subtitled “harder, better, faster, stronger.” Recorded at Donegal’s Attica Studios and Holy Mountain Studios in London with producers Mark Bowen (Idles) and Loren Humphrey (Geese, Cameron Winter), alongside engineer Chris Fullard (Idles, Sunn O)))), it finds Gurriers taking the musical chemistry and sharp, interrogative worldview that defined them and pushing it to the next level. From rattling tension to cacophonous, cathartic release,\u003ci\u003e Nobody’s Coming To Save You\u003c\/i\u003e captures the spirit of the sweaty basement venue and scales it up to stadium size. It’s not just loud, but dynamic, blending industrial abrasion, gnarly hardcore, grunge swagger, and insatiable dance-punk hedonism. If the band’s aim was to make a record that “slaps you in the face,” consider yourself hit. 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Written by the band and produced by Campbell Burns, the album finds Vacations operating as a fully creative force with Burns drawing constant inspiration from his bandmates' lives and perspectives: exploring how they're each living out different lives yet share a common experience, all in their own \"pursuits.\" The result is a richer, more intricate, and emotionally expansive sound, with mixing by Beatriz Artola (Geese, Caamp). Arriving as the band solidify their place as one of the most globally resonant indie acts of their generation with sold-out world tours, double-platinum certified hits, and over 3.5 billion streams. The record turns inward, driven by the push and pull of devotion to music, relationships, and self-discovery. It is this tension that fuels an earnest, dreamy pop album that feels instantly classic. 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The complete soundtrack to the celebrated animated holiday television special, written and created by Charles Schulz, directed by Bill Melendez and Phil Roman and produced by Melendez and Lee Mendelson, includes the long-awaited release of many of Guaraldi’s classic compositions and performances along with never-before-heard bonus material.\u003c\/p\u003e\u003cp\u003eNewly re-discovered in LMFP’s vaults, the original recording sessions for Vince Guaraldi's beloved soundtrack have been remixed and remastered for audiophiles and Peanuts® fans everywhere. The album includes many previously unreleased tracks, several never heard since the Vince Guaraldi Quintet laid them down for the recording session in 1973. 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