{"title":"New This Week: November 2-8","description":null,"products":[{"product_id":"pre-order-dvorak-pavlu-spencer-songs-cd","title":"Pre-Order: Dvorak \/ Pavlu \/ Spencer - Songs [CD]","description":"\u003cp\u003eMezzo-soprano Ester Pavlu has chosen four of the two dozen individual songs and song cycles that the world-famous Czech composer Antonin Dvorak (1841-1904) wrote during his lifetime. Ester Pavlu's magnificent voice as well as her and her convincing stage presence make her one of the most promising mezzo-sopranos of the current generation, who wins the admiration of audience and critics both on domestic stages and abroad. Charles Spencer is one of the most sought-after piano accompanists worldwide who regularly collaborates with many of the world's most renowned singers.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8594029812512\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Arcodiva\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Arcodiva","offers":[{"title":"Default Title","offer_id":52816265052271,"sku":"375146","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0559\/5224\/4847\/files\/4383282-3287569.jpg?v=1773726552"},{"product_id":"pre-order-sir-boult-adrian-vaughan-williams-butterworth-moeran-live-cd","title":"Pre-Order: Sir Boult  Adrian - Vaughan Williams Butterworth \u0026 Moeran (Live) [CD]","description":"\u003cp\u003eSir Adrian Boult began his long association with the music of Vaughan Williams in 1918 when he conducted A London Symphony, earning praise from the composer. Boult's commitment to the symphony, which he described as very near to his heart, never wavered, and he conducted it over 60 times from the 1918 concerts right through to 1973. The Daily Telegraph described Boult's conducting of this performance from the 1971 Proms as 'quietly authoritative.. which held one's attention throughout'. Martin Cotton, in his booklet note, states that the performance is closer to his 1952 recording when the composer was present with a greater sense of flow than his EMI recording of the same year. The fill-ups of Butterworth's A Shropshire Lad from 1971 and Moeran's Sinfonietta from 1963 are testimony to Boult's deep engagement with British music, which remained strong throughout his career.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5060244551879\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ica Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Ica Classics","offers":[{"title":"Default Title","offer_id":52816295133295,"sku":"82437044","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0559\/5224\/4847\/files\/4484310-3505430.jpg?v=1773726916"},{"product_id":"pre-order-julien-dassin-lamerique-live-in-usa-digipak","title":"Pre-Order: Julien Dassin - L'amerique (Live In Usa) [Digipak]","description":"\u003cp\u003eJulien Dassin brings timeless French charm to the stage with L'Amérique (Live in USA), a vibrant performance celebrating the musical legacy of his father, Joe Dassin. 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The album \"A piano won't fix your tormented soul\" presents a refined mix of neoclassical piano, jazz influences, and cinematic depth, where Berra's compositions embody timeless elegance with improvisational spontaneity.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 885470042510\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Neue Meister\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Neue Meister","offers":[{"title":"Default Title","offer_id":52816314531951,"sku":"100103489","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0559\/5224\/4847\/files\/4488811-3516620.jpg?v=1773727233"},{"product_id":"pre-order-in-slaughter-natives-in-slaughter-natives-aniv-lp","title":"Pre-Order: In Slaughter Natives - In Slaughter Natives (Aniv) [LP]","description":"\u003cp\u003eInfinite Fog Presents the Reissue Series of the Legendary Cult - In Slaughter Natives! Our last collaboration with In Slaughter Natives took place in 2016 when we released \"Mort Aux Vaches\" on vinyl.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDeath, just only death\u003c\/li\u003e\n\u003cli\u003eChrist\u003c\/li\u003e\n\u003cli\u003eMedia\u003c\/li\u003e\n\u003cli\u003eCryptic Slaughter\u003c\/li\u003e\n\u003cli\u003eHead\u003c\/li\u003e\n\u003cli\u003eStructure\u003c\/li\u003e\n\u003cli\u003eThen Gothic\u003c\/li\u003e\n\u003cli\u003ePunishdown\u003c\/li\u003e\n\u003cli\u003eNapalm Limit\u003c\/li\u003e\n\u003cli\u003eFall Apart\u003c\/li\u003e\n\u003cli\u003eDusk Of Hope\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8016670168683\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Infinite Fog\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Infinite Fog","offers":[{"title":"Default Title","offer_id":52950201270383,"sku":"155514533","price":52.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0559\/5224\/4847\/files\/4508110-3565536.jpg?v=1776177254"},{"product_id":"pre-order-adagietto-smooth-relaxing-classical-adagietto-smooth-relaxing-classical-lp","title":"Pre-Order: Adagietto - Smooth \u0026 Relaxing Classical - Adagietto - Smooth \u0026 Relaxing Classical [LP]","description":"\u003cp\u003eThis compilation is an exquisite curation of classical music's most introspective and soul-stirring moments. 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The album closes with Beethoven's \"Pathétique\" Sonata.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: II. Andante\u003c\/li\u003e\n\u003cli\u003eMain Theme (From \"Schindler's List\")\u003c\/li\u003e\n\u003cli\u003e3 Mélodies, Op. 7: No. 1, Après un rêve (Orch. Büsser)\u003c\/li\u003e\n\u003cli\u003eSuite bergamasque, CD 82, L. 75: III. Clair de lune\u003c\/li\u003e\n\u003cli\u003eLe carnaval des animaux: VII. Aquarium\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in F Minor, BWV 1056: II. Largo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, RV 429: II. Largo\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988: Aria\u003c\/li\u003e\n\u003cli\u003e24 Preludes, Op. 28: No. 11 in B Major\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 8 in C Minor, Op. 13 \"Pathétique\": II. 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What made the partnership unique was the mutual respect between the maestro and the ensemble. While many traditional orchestras initially resisted Harnoncourt's strict adherence to historical scores, the Concertgebouw musicians embraced his intellectual rigor. Over several decades, they developed a distinctive \"Amsterdam style\" of performing the First Viennese School - Mozart, Haydn, Beethoven - combining the orchestra's legendary warmth with Harnoncourt's sharp, dramatic energy. The recorded legacy of this collaboration remains a cornerstone of the classical catalog. Their famous cycles of Mozart and Haydn symphonies were highly acclaimed, as was their profound interpretation of Schubert's complete symphonic works, which continue to be benchmarks for critics and collectors alike. The box also includes the famous Mozart\/Da Ponte trilogy (Don Giovanni, Le nozze di Figaro and Così fan tutte), starring Thomas Hampson, works by Bruckner, Johann Strauss and Brahms, as well as four albums by Dvorak (his major symphonies and his piano concerto)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: IV. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: IV. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: I. Molto presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: III. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: I. Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: II. Andantino con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: IV. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: I. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: II. Andante moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: IV. Finale. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": I. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": III. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": II. Andante (Alternate Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": I. Adagio - Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: I. Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: III. Primo tempo\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: II. Andante\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: III. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": I. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: II. Andante di molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: III. Finale. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": III. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": II. Andante cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": IV. Molto allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: I. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: II. Andante\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eFantasy for Two Pianos\u003c\/li\u003e\n\u003cli\u003ePing-Pong\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": II. Larghetto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": III. Allegretto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: II. Andante\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: III. Allegro assai\u003c\/li\u003e\n\u003cli\u003eCosì fan tutte, K. 588 Complete Opera\u003c\/li\u003e\n\u003cli\u003eDon Giovanni, K. 527: Complete Opera\u003c\/li\u003e\n\u003cli\u003eLe nozze di Figaro, K. 492: Complete Opera\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 1: Chor. \"Schon weichet dir, Sonne\"\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 1: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 2: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 3: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 4: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 5: Chor. \"Gottheit, über alle mächtig!\"\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 5: Interlude - Solo von Sethos und Chor \"Ihr Kinder des Staubes, erzittert und bebet\"\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Sinfonia\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Duetto. \"Signor Poeta mio\" (Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Recitativo. \"Non dubitar, verrò\" (Eleonora)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Aria. \"Là tu vedrai chi sono\" (Eleonora)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Trio. \"Cari oggetti\" (Eleonora, Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Aria. \"Via largo, largo, largo\" - Recitativo. \"Voi non piangete, o perfidi?\" (Tonina, Poeta, Ma\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Cavatina. \"Cucuzze! Che concorso\" (Tonina)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Finale. \"Se questo mio pianto il cor non ti tocca\" (Eleonora, Tonina, Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Ouvertüre\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Ariette. \"Da schlägt die Abschiedsstunde\" (Madame Herz)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Rondo. \"Bester Jüngling! Mit Entzücken\" (Mademoiselle Silberklang)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Terzett. \"Ich bin die erste Sängerin\" (Madame Herz, Mademoiselle Silberklang, Monsieur Vogelsan\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Vaudeville. \"Jeder Künstler strebt nach Ehre\" (Madame Herz, Mademoiselle Silberklang, Monsieur\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: II. Largo cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: IV. Finale. Presto ma non troppo\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": II. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": III. Menuetto. Moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: I. Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: II. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: III. Adagio cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": I. Adagio cantabile - Vivace assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": IV. Finale. Allegro di molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: I. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: IV. Finale. Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": IV. Finale. Vivace assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 97 in C Major, Hob. I:97: I. 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Less playful than other of his albums, In Europe displays Moondog's virtuosity as a classical composer, with elegantly stylized pieces that see him embracing a grandiosity he hadn't approached previously.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eViking I\u003c\/li\u003e\n\u003cli\u003eChaconne in G\u003c\/li\u003e\n\u003cli\u003eHeimdall Fanfare\u003c\/li\u003e\n\u003cli\u003eRomance in G\u003c\/li\u003e\n\u003cli\u003eIn Vienna\u003c\/li\u003e\n\u003cli\u003eChaconne in C\u003c\/li\u003e\n\u003cli\u003eL. GRÃœNDR III\u003c\/li\u003e\n\u003cli\u003eL. GRÃœNDR XII\u003c\/li\u003e\n\u003cli\u003eL. GRÃœNDR XIII\u003c\/li\u003e\n\u003cli\u003eL. GRÃœNDR IV\u003c\/li\u003e\n\u003cli\u003eL. GRÃœNDR VII\u003c\/li\u003e\n\u003cli\u003eL. 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A decade in which his artistic voice has quietly deepened and refined itself, as though his musical language had been shedding excess weight, gradually moving toward something more distilled, more precise, more essential. During these years of quiet maturation, Courthaliac has become one of the most sought-after arrangers on the scene, lending his touch to a host of notable recordings. What sets him apart is a rare way of hearing: an ear attuned to the smallest inner movements of the music. He shifts harmonic colors with painterly care, opens unexpected perspectives within familiar material, and reshapes the sound from the inside out - a patient form of musical alchemy. His language is firmly rooted in bebop and the great American tradition, a world he explored deeply alongside Barry Harris and other towering figures of jazz. Yet rather than remaining within that lineage, he has allowed it to breathe and evolve, guided by an uncommon sensitivity and a restless curiosity always reaching toward new horizons. With In the Key of Sinatra, two central strands of his musical life finally converge: the pianist and the arranger. It feels as though, after years of traveling parallel paths, these two voices have found a shared terrain - a place where conception and expression meet in full dialogue.When we first began imagining this album, the task felt both exciting and daunting. The repertoire touches some of the most iconic pages associated with the greatest of crooners - songs so deeply woven into our collective memory that they seem almost untouchable. The challenge was not simply to honor them, but to reopen them: to rediscover within these well-known melodies a living space where a new interpretation could breathe. Courthaliac approached this process with near-monastic patience. Each song was dismantled, examined, and patiently reassembled, as though he were searching for a hidden key within it's architecture. Watching the process unfold was fascinating: revisiting, adjusting, starting again - until, little by little, the music settled into that delicate point of equilibrium where a familiar song suddenly feels new again. In this adventure, bassist Sylvain Romano and drummer Gautier Garrigue proved to be invaluable companions. They move through the music with natural elegance, bringing the kind of flexibility, listening, and conversational instinct that only the finest musicians possess. Their presence gives the music room to breathe, to stretch, and to swing freely.The question of the singer remained. For the five songs that feature vocals, the encounter with Christie Dashiell proved decisive. She brings a remarkable intensity and sincerity, allowing emotion to flow along it's most direct and luminous path. Hugh Coltman, perhaps an unexpected presence in this repertoire, enters it with disarming grace. His voice inhabits these songs in a deeply personal way, casting them in a subtle, intimate light that reveals new emotional shades. And while Courthaliac confirms himself here as a remarkable musical director, the album also reveals something new in his playing.As a pianist he seems transformed, venturing into the most intimate corners of the instrument, right at the heart of the sound. Swing is everywhere, his touch is brilliant, yet his improvisations remain free of mannerism, guided above all by a deep and unconditional love for these melodies.Laurent Courthaliac is a musical partner of rare exacting standards. Every detail matters, every nuance is weighed, every silence has meaning. 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Yet here, they've reached full maturity. Rarely has a \"\"made in France\"\" dub album strayed so far from the Jamaican model while still harboring, in every detail, so many references and tributes to the inventors of the style (King Tubby \/ Lee Perry), as well as to many of the key figures in it's evolution (Tikiman \/ Rhythm \u0026amp; Sound, Dub Syndicate, etc.). The recording studio, 7\/11 Laboratory, is used here as a true musical instrument. The optimal use of three-dimensional stereo effects will immerse the listener in soundscapes ranging from classic space echoes and Mont Blanc tunnel-style reverberations to crackles, electronic interference, exogenous samples, and other parasitic noises coming straight from Babylon. 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